Historie: isbn-maschine-english
Vorschau der Version: 29
ISBN-Maschine
Idea
(02/17)
In 2015, I was looking for a way to give texts an autonomous pictorial competence by applying rules that arise from the text. I was looking for a set of rules that could automatically create pictorial works from texts.
The search is still ongoing, but over time, I experimented with translating numerical occurrences of text features and translating them into colour values.
For the translation, the RGB colour space "p { color: rgb(255, 0, 0); } /* integer 0 - 255 */" seemed targetable.
It was now necessary to find out which system could be used to get texts to generate meaningful and varied colours in the RGB colour space. Dividing the maximum value of 255 by a number to be defined was the most sensible model.
I soon realised that this was only possible with a limitation of values.
This led to the idea of using sentences for this model.
This led to the idea of using the own library for this task and presenting this on the internet.
Tasks
(05/17)
At the beginning, I collected about 50 books and applied different calculation models to the first and last sentences to find out which distribution logic produces the most different colour images.
It turned out that the best way to define the divisor of the three numerical values of the RGB colour space was to examine the occurrence of individual letters.
As a result, the selection of these letters had to be rule-based. For this, I chose the typewriter layout of the respective language of the text.
I limited the texts used to books that I had read and still own or at least have access to the edition I have read. Sometimes I buy again now.
Concept
(07/17)
The isbn-maschine is a machine for the presentation of phrases of literary works on web browsers.
The source for the phrases is the printed book.
Like every self-respecting machine, the isbn-maschine has a machinist. The machinist feeds the isbn-maschine with phrases out of books he has read. Doing so, he follows the rules laid down in the rulebook. This is where his control ends.
The presentation of the texts follows the rules. Neither machine, nor machinist or observer can manipulate the presentation.
The books have complete control.
(The machinist is indeed aware of the fact that the isbn-maschine is actually an automation).
Rulebook
(11/17)
Machine
Text Colour
The text of the page defines the text colour. For this, the text determines the value of the hexadecimal colour definition. The hexadecimal colour definition is based on the RGB colour space. The text determines the colour value for red, green and blue.
The first letter of the text determines the colour value for red and determines which letters are used to determine the colour values green and blue. The selection is made in German texts according to the order of the letters on a QWERTZ keyboard, in English texts of the QWERTY keyboard. The order starts with Q for the German keyboard and ends with ß. In English, it starts with Q and ends with M. The selection is made according to the writing direction of the Latin writing system.
The determination of the colour value depends on the number of occurrences of the selected letter in the evaluated sentence with the following formula in hexadecimal notation:
If the selected letter does not exist in the text, the value is "00". If the occurrence of all three selected letters is “2”, the formula is modified as follows:
Background colour
The background colour is the complementary colour of the text colour, the individual colour values are determined using the following formula:
If the selected letter in the text occurs once, the value is "00". If it does not occur is the value is "FF"
Font size
The length of the sentence determines the font-size. Sentences with less than three words have a font size of 5em, sentences longer than that but shorter than 500 characters have a font size of 2.7em, longer texts have 1.5 em.
Display duration
The page is displayed one seventh of a second per word plus 6 seconds.
ISBN-number
Below the sentence, the ISBN number of the book and the type of sentence are given. This links to the entry of the book in the online directory of the national library of the publishing country of the book.
Home page
The start page is determined by the day's date using the following logic. Each day of the month is assigned a letter in the order of the QWERTZ keyboard (1 = β, 2 = q, 3 = w, 4 = e, 5 = r, 6 = t, 7 = z, etc.). On each day of each month, a page is determined where this letter has the highest percentage of the characters of the sentence compared to all pages of the isbn-maschine. If several sentences have the same value, the page is selected by a random factor.
Following pages
The following page is automatically displayed according to the writing direction of the Latin writing system.
Steerage
Directional arrows
Using the directional arrows, the user can influence the writing direction but not the display duration:
- Arrow to the right: Writing direction according to Latin writing system first horizontally from left to right, then from top to bottom
- Arrow to the left: the reverse of the writing direction according to Latin writing system, first horizontally from right to left, then from bottom to top
- Arrow down: Writing direction according to Mongolian writing system, first vertically from top to bottom, then from left to right
- Arrow up: Writing direction vertically from bottom to top, then from right to left
Pause / Start – button
With the pause button, the work of the machine can be stopped. The start button is used to restart the machine. It restarts the time evaluation of the page.
Page Name
The page name links to the entry of the book in the online directory of the national library of the publishing country of the book. The entry is output in a new browser window
Selection
Content
The isbn-maschine includes the first, middle and last sentence of books the machinist has read (he still has some work to do).
Sentence
A sentence in the sense of the isbn-machine is a word sequence with at least one word / character at the end of which stands a punctuation mark, on which the next sentence normally begins with capitalization or anything that appears to the machinist as closest to this idea.
First sentence
The first sentence of a book is defined as the first original sentence of a book. Dedications, headlines, prefixed quotes, in plays the list of participants are ignored by the machinist
Middle sentence
The machinist determines the middle sentence using the page numbers of the book. For this, he uses the following formula:
If the result is an integer, the middle of the book is the space between the page determined and the previous page. If the previous page ends with a sentence’s end, this ending sentence is the middle sentence.
If the result is not an integer, then the middle of the book is the middle of the page of the integer before the decimal point. The middle of the page is determined by the machinist by counting the lines with text (dedications, headlines, prefixed quotes, in plays the actors' listings are ignored by the machinist) and divides them by two. If the result is an integer, the middle of the page is between the line number of the result and the next line, and the machinist chooses the sentence that covers the line break or that ends before the line break. If the result is not an integer, the machinist chooses the sentence that covers the middle of the line number of the result.
Last sentence
The last sentence is the last sentence of the text of a book. Afterwards, notes of the author to the text, attachments are ignored by the machinist. The last sentence is the last sentence of the story or in plays, the last sentence of what one would see in the performance.
Content
URL
The URL consists of the domain "isbn-maschine", "/", the ISBN number of the book and the name of the displayed sentence in the language of the book, (erster-satz, mittlerer-satz, letzter-satz, first-sentence, middle-sentence, last-sentence) separated by „-„
Title
The title consists of the ISBN number of the book and the indication of the name of the sentence (first sentence, middle sentence, last sentence) separated by a space.
Keywords
The keywords are the ISBN number, name of the page and the project name "isbn-maschine"
Body
Each page contains the following content:
- Link to home page
- Sentence
- ISBN number with page type
- Four directional arrows
- Pause/Start
ISBN-Number
By default, the isbn-maschine uses the ISBN number in ISBN-13 format. If there is no corresponding ISBN number for the book, the ISBN search engine uses the number format that leads to the entry of the book edition in the National Library of the issuing country.
REALISATION
(03/18)
The isbn-maschine was launched for the first time on 08.03.2018.
On that day, the isbn-maschine displayed 359 books graphically. The isbn-maschine s constantly updated. The number of books was on
- 01.01.2019: 384 books
- 01.01.2020: 416 books
- 01.01.2021: 443 books
- 01.01.2022: 482 books
The work of art
[https://www.isbn-maschine.de/index_english.php|» start isbn-maschine]
Example pages:
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978-0-141-02520-9-first-sentence
|
978-0-06-288299-8-middle-sentence
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978-0-316-72614-6-last-sentence
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last english pages added:
Louis Bayard: Mr. Timothy (added February 26, 2023)
|
978-0-7195-6788-2-first-sentence
|
978-0-7195-6788-2-middle-sentence
|
978-0-7195-6788-2-last-sentence.php
|
content:
other pages:
- An Abstraction of Kurt Schwitter's "An Anna Blume" : Twenty-seven senses
- Abstraction of William Shakespeare's "Henry V" : Henry V
- Abstraction of William Shakespeare's Pericles, Prince of Tyre : Pericles, Prince of Tyre
- Abstraction of all Novellas by Franz Kafka : Franz Kafka Novellas
- Abstraction of William Shakespeare's Macbeth : Macbeth
- Abstraction of William Shakespeare's "The Two Gentlemen of Verona" : The Two Gentlemen of Verona
- Abstraction of William Shakespeare's King Henry VIII : King Henry VIII
- Abstraction of William Shakespeare's The Tempest : The Tempest
- Abstraction of William Shakespeare's King Lear : King Lear
- Abstraction of William Shakespeare's The Taming of the Shrew : The Taming of the Shrew
- Abstraction of William Shakespeare's Othello : Othello
- Abstractation of the abstractation of William Shakespeare's All's Well That Ends Well : All's Well That Ends Well
- The 16 abstracted works by Boris Vian from the isbn machine combined into one graphic work. : Boris Vian at Zweitausendeins
- Abstractation of the abstractation of William Shakespeare's Antony and Cleopatra : Antony and Cleopatra
- The development of the German Constitution "Grundgesetz" over the 75 years of it's existence : Happy Birthday GG
- Abstractation of the abstractation of William Shakespeare's The Comedy of Errors : The Comedy of Errors
- Abstraction von William Shakespeares "Love's Labour's Lost" : Love's Labour's Lost
- Abstractation of William Shakespeare's Hamlet : Hamlet
- Abstraction of William Shakespeare's King John : King John
- Abstraction of William Shakespeare's Julius Caesar : Julius Caesar
- Georg Büchner's dramas Dantons Tod, Leonce and Lena and Woyzeck are copied by hand, page by page, one on top of the other on a sheet, rule-based in pencil. : Georg Büchner
- Abstractation of William Shakespeare's Much Ado About Nothing : Much Ado About Nothing
- Abstractation of William Shakespeare's The Winters Tale : The Winter's Tale english
- Abstraction of William Shakespeare's "Henry IV Part !" : Henry IV Part I
- map for a atheist peace plan : Atheist Peace Plan
- Abstractation of the abstractation of William Shakespeare's Titus Andronicus : Titus Andronicus
- Abstraction of William Shakespeare's "Twelfth Night" : Twelfth Night
- Abstraction of William Shakespeare's "Romeo and Juliet" : Romeo and Juliet
- Abstraction of William Shakespeare's "A Midsummer Night's Dream" : A Midsummer Night's Dream
- conceptual art: abstraction of William Shakespeare's "Henry VI Part 2" : Henry VI Part 2
- conceptual art: abstraction of William Shakespeare's "Henry VI Part 3" : Henry VI Part 3
- abstraction of William Shakespeare's Henry VI Part 1 : Henry VI Part 1
- Chris Brokkmyre's books as a grafic work of art : Chris Brookmyre 2022
- merger of Michael Kumpfmüller's Ach, Virginia and Anne Leibovitz' River Ouse : Viriginia-Ouse
- abstracts of Michael Kumpfmüller's novels 2018 : Michael Kumpfmüller 2018
- abstracts of Angela's book on isbn-maschine.de : Angela's books
- Automation for the isbn-maschine : Automat
- graphic abstraction isbn-maschine-abstrakt : isbn-maschine-abstrakt-160218
- abstractions of the isbn-maschine : Abstracts
- Machine for the graphic representation of sentences : isbn-maschine
- in search for the color : blue
- Approach to green : green
- organic abstractation in cadmium red deep : red
- Abstractation of the abstractation of William Shakespeare's Hamlet : Stripes Hamlet
- the war in Ukraine in the news, transcribed : War against Ukraine
- William Shakespeare's plays transformed in to a grafic work of art : William Shakespeare's plays
- The district of Munich with plenty of nature in the north. : Paradise
- Creating an urban Bavaria map : Bavaria urban
- Hermit arabs are provided with artful homes : Hermit Crabs
- Couples a word of conceptional art of the group image mergers : Couples
- ich bin normal, ich bin normal... : 1987
- Visualisation of the path to whisloss happiness : wishless_happy
- abstractions grouped by first letters and alphabet : Alphabets
- abstracts of isbn-maschine.de by languages : Languages
- Conceptual artwork to represent Munich as a religion-free city : Bible without God
- letters and puntuations of books painting a picture : Letter Analysis
- Father, an approach : Father
- Virtual bookshop with interaction : Bookshop
- work of conceptual art for the presentation of Munich as a city without religion : Munich without religion
- Dots painting a picture : Dotshttps://www.konzeptkunst-online.de/tiki-edit_structure.php?page_ref_id=426#
- books painting pictures, following rules : Painting Literature
- Semi-automatic images through colour gradients : Glazed Abstracts
- isbn-maschine for publishing houses : Publishing Houses
- The newest 10 pages : 10 newest pages
- latest changes : 25 latest changes